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SONY Digital Shotgun Microphone ECM-M1
Product code:
SON928664
$348.00
Specifications
Versatile Shotgun MI shoe microphone with Eight audio recording modes and digital signal processing using beamforming technology
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Eight audio recording modes
Beamforming technology combines four discrete microphone capsules with precision algorithms to maximize pickup sensitivity in the desired directions while reducing it in others. The result is an incredibly compact and versatile microphone with high performance even in challenging audio environments.
Super-directional: Records sound from the front clearly and suppresses ambient sound. A great choice for shooting or streaming videos where the subject speaks directly in front of the microphone.
Uni-directional: Records sound over a wider area in front of the microphone. Recommended for recording conferences or meetings.
Omni-directional: Picks up sound equally from all directions. A good choice when the sound of the surrounding environment is to be recorded.
Super-directional (Rear): Sound is primarily picked up from the rear of the microphone, with frontal sound being picked up at a lower level. This mode is useful for shooting scenery while the operator provides narration from behind the camera.
Super-directional (Front+Rear): Sound is picked up equally from the front and rear of the microphone, along with less sound from the left and right sides. This makes it possible to simultaneously record a subject in front of the camera and the operator speaking from behind it. A good choice for interviews.
Super-directional (Front/Rear) Separate: Sound is picked up equally from the front (1ch) and rear (2ch) of the microphone, with greater attenuation of sound from the left and right sides. The levels of the front and rear sounds can be adjusted after recording, making this mode ideal for post-production editing.
Stereo: Stereo recording achieves a realistic positioning of the left (1ch) and right (2ch) sides within the stereo sound field. Recommended for shooting moving subjects such as cars or trains, and for music or theatrical performances.
Ultra-directional: Enables the pickup of target sound from the front (within approximately a 30-degree width) while effectively suppressing the other sound, dynamically adapting to ambient sound in the surroundings*7. The Ultra-directional mode is a good choice for shooting scenes such as interviews or selfies where the subject is always in front of the microphone.
Simple controls for easy setting and operation
Simply turning a dial on the rear of the microphone allows easy, intuitive selection of pickup patterns, and a lock button in the center prevents accidental changes. Other controls are also straightforward and easy to understand and operate.
Digital noise cut filter for clear sound
The ECM-M1 features a complete digital pathway, from beamforming control, to noise filtering and interfacing with the camera. The result is the clearest sound possible, for everything you capture.
Digital audio interface
The digital audio interface offers an all-digital signal path from microphone to camera*2, avoiding the noise and distortion associated with analogue transmission, and retaining the full benefit of the digital signal processing in the microphone.
Mechanical noise suppression
A design that dampens shock and vibration effectively minimizes low-frequency mechanical noise.
The absence of connecting cables also means that no noise can be transmitted to the microphone mechanically via cables and connectors.
Multi Interface (MI) Shoe support for extensive shooting freedom
Multi Interface (MI) Shoe support allows the microphone to be connected to the camera without additional batteries or cables. Power is supplied to the microphone from the camera, eliminating the need to charge and monitor a separate battery. And because no cable is required, the camera’s vari-angle LCD monitor can be used in any position without interference.
Backup safety recording
4-channel recording with compatible camera *2, with channels 3 and 4 ideally suited to making backup “safety” recordings. Channels 3 and 4 record safety tracks in omnidirectional mode (fixed for channel 3, and -20 dB*4 fixed for channel 4) while the main audio is recorded to channels 1 and 2 using the selected directivity pattern.
1
As of the July 2023 product announcement. Sony survey of microphones for cameras
2
Compatible camera only. Please check the support page for compatibility information.
3
Dimensions and weight are approximate
4
The -20dB safety Recording cannot guarantee all clipping noise will be prevented, when capturing especially loud audio.
5
Cameras with an MI shoe that are not compatible with the digital audio interface should be connected in analog mode. Set DIGITAL/ANALOG switch on the rear panel to ANALOG, and the digital audio signal will be automatically converted to analog.
6
Not guaranteed to be 100% dust and moisture proof. Some moisture will not cause the microphone units to fail, but using them while wet can affect sound quality. Remove dirt and moisture with a clean, dry cloth.
7
The sound may be quieter than the other directivity modes when shooting in environments with significant echoes, such as small rooms, or when the distance between the microphone and subject is far.This mode applies the adaptive beamforming technology. For more details on adaptive beamforming technology, please refer https://helpguide.sony.net/ilc/2330/v1/h_zz/index.html
8
Additional Information: Beamforming technology Beamforming technology works by precisely controlling the sensitivity of multiple mic capsules to create a variety of directivity patterns. This microphone uses digital signal processing to combine the output of four mic capsules, maximizing pickup sensitivity in the desired direction while reducing sensitivity in all other directions so that the desired sound is picked up clearly while unwanted sound is effectively attenuated.
9
Features and Specifications are subject to change without prior notice.
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